Dashed left edge = started before this timeline ·
Dashed right edge = still ongoing
Events in the 1500s 11
651 – 1501Islamic Persia — caliphates, Seljuks and MongolsCenturies of Islamic rule and a Persian cultural floweringAfter the conquest, Persia was ruled successively by the Arab caliphates, Persian and Turkic dynasties, the Seljuk Turks, and — devastatingly — the Mongols under Genghis Khan and Hulagu in the 13th century. Yet this era produced a brilliant Persian cultural renaissance: the poetry of Ferdowsi, Rumi, Hafez and Omar Khayyam, and advances in science and mathematics.
1446 – 1506Alexander AgricolaFranco-Flemish Renaissance composerAlexander Agricola was a highly regarded composer who served several European courts. His complex, ornamented style distinguished him from his contemporaries.
1457 – 1505Jacob ObrechtFranco-Flemish Renaissance composerJacob Obrecht was a leading composer of the generation after Ockeghem whose masses and motets demonstrate great rhythmic vitality and contrapuntal skill.
1500 – 1553Cristóbal de MoralesSpanish Renaissance composerCristóbal de Morales was the most important Spanish composer of the Renaissance whose masses and motets were performed throughout Europe and the Americas.
1500 – 1561Luis MilánSpanish Renaissance composerLuis Milán was a Spanish nobleman and vihuela player whose El maestro was the first published collection of solo vihuela music and one of the earliest printed collections of lute music.
1500 – 1555Luys de NarváezSpanish Renaissance lutenistLuys de Narváez was a Spanish vihuela player and composer whose Los seys libros del Delphín was one of the finest collections of Renaissance lute music.
1501 – 1736Safavid EmpireIran reunified; Shia Islam made the state religionThe Safavid dynasty, founded by Shah Ismail I in 1501, reunified Iran as an independent power after centuries of fragmentation and established Twelver Shia Islam as the state religion — a defining feature of Iranian identity to this day. The empire reached its height under Shah Abbas I and rivalled the Ottomans.
1502 – 1520Moctezuma II -- the emperor at the apexMoctezuma II (c.1466-1520), ninth tlatoani of Tenochtitlan, rules at the absolute apex of Aztec power -- presiding over the most extensive empire in Mesoamerican history, the largest city in the Western Hemisphere, and the most elaborate court in the New World. He is simultaneously the empire's most powerful and most unlucky ruler: he inherits a perfect system and watches it destroyed. His reign sees the final territorial expansion of the empire, the maximum development of court ceremonial (he eats alone, behind a screen, served from golden vessels; no one may look at him directly; visitors approach barefoot), and the arrival of Hernán Cortés in 1519. His response to Cortés -- initially hospitality, then captivity, then his unclear death -- remains the most debated series of decisions in New World history.
1505 – 1572Christopher TyeEnglish Renaissance composerChristopher Tye was an English composer and music teacher at Ely Cathedral whose in nomines and sacred works helped define the English Renaissance polyphonic tradition.
1506 – 1534Elizabeth BartonThe Holy Maid of KentEnglish Catholic nun and prophetess known as the Holy Maid of Kent. A servant girl from Aldington in Kent, she began experiencing visions and trances during a severe illness in 1525 and was declared miraculously cured at a local chapel. Archbishop Warham found her orthodox and she entered a Benedictine convent in Canterbury, where she became a celebrity visited by pilgrims from across England. She met Cardinal Wolsey, Henry VIII and corresponded with Thomas More and Bishop John Fisher. When she began prophesying that Henry would die if he divorced Catherine of Aragon and married Anne Boleyn, she became a threat to the Crown. She was publicly denounced, attainted by Parliament and hanged at Tyburn in 1534 at the age of 28 — the first woman whose head was displayed on London Bridge.
1507 – 1568Jacques ArcadeltFranco-Flemish madrigal composerJacques Arcadelt was one of the pioneers of the Italian madrigal whose early collections were enormously popular and helped establish the genre as the dominant secular form.